Blue Planet III Coming Soon....

Narrated by Sir David Attenborough, Blue Planet III marks the return of the franchise that transformed audiences' understanding of life beneath the waves. Twenty-five years after the groundbreaking original series first brought the oceans into homes around the world, the new series reveals extraordinary new stories from some of Earth's most important and least understood environments.

Filmed using cutting-edge technology. Attenborough has promised to "venture even further" and uncover marine life that is "more precious than we ever realised" in Blue Planet III.

“We will uncover life that is more surprising, more intelligent, and even more precious than we ever realised. We will discover the extraordinary relationship we have with the ocean. One that has never been more important to understand.”
— Sir David Attenborough



‘Night on Earth’ Netflix

New technology reveals wonders of the planet in a completely new light. Across the globe we discover a hidden side to the world's greatest landscapes and animals. This series lifts night’s veil to reveal the hidden lives of the world’s creatures, from lions on the hunt to bats on the wing.

Mark’s work features in the following episodes (*)

Night on Earth: Dusk Till Dawn The night unfolds to reveal magic in the air, drama in the deep and danger on the ground as animals across the planet rise with the sunset (*orca in Norway - see a selection of stills taken from Mark’s sequence above)

Night on Earth: Shot in the Dark This look behind the scenes shows how worldwide camera crews climbed, dived and froze to capture the documentary's ground breaking night footage (*behind the scenes in Norway - see a selection of stills captured from location above)

Night on Earth: Dark Seas The oceans’ tides ebb and flow in concert with the moon, and so do the lives of the creatures below, from the largest whale shark to the smallest prawn (*manta ray and plankton in Hawaii)

A selection of publicity stills taken from across the series:

Creative Scramble Podcast Interview

“As film-makers, film lovers and creative entrepreneurs we like to share our knowledge and learn from others as much as we can. The Creative Scramble podcast gives us the opportunity to chat to a variety of industry professionals - ranging from commercial directors to accredited film crew to dissect their road to success.”
— Dead Pixel Films

Apple podcast: Listen here
Mark gives an insight into the world of underwater film-making and seeing nature up close and personal

‘The role is a multi-faceted one…. it’s technical in that you work with the Producer to establish the best tools for the job (camera, lenses, lighting, grip and even sometimes developing new kit such as underwater sliders or quadpods). You also wear an editorial hat in the field – we are storytellers too and an important part of our role is to interpret the storyboard when on location; it’s a collaborative process. In the moment (when the wildlife behaviour presents itself) the creative juices are flowing and you are firing on all cylinders to make sure you get the shots in the bag’

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‘It’s like I’m a miner with a pickaxe – all you can do is to keep on digging and then provide a truck load of raw material; dirt but also gold and gems! It’s then down to the Editor and the Producer to finely craft the pieces into a work of art. It’s really satisfying and exciting to see the sequence come together… it takes me right back to the shoot and that specific moment on location’

‘You’re doing everything you can to minimise your presence in the water; rebreathers don’t produce bubbles and are much quieter, you can wear camouflaged dive gear so that you can blend in visually too and gradually edge closer to your subject. What I feel I can bring to the table is to be very calm within that environment – almost taking on the mindset of the animal and doing what I can to remove ‘myself’ from the scenario and ‘not be there’ whilst getting the footage’

‘The fundamental rule of anyone wanting to get into underwater camerawork is that you’ve got to be an absolute master scuba diver and conquered the skill of neutral buoyancy; that needs to be second nature so it’s a completely automatic process allowing you to be weightless underwater and in a position to move and follow wildlife without even thinking about it’

To view and listen to more interviews from The Creative Scramble courtesy of Dead Pixel Films click here