I really can’t recommend Mark highly enough. His footage is not only stunning but it is a storyteller’s dream. He really makes the most of filming opportunities even when they are few and far between, as is often the case in Natural History. Mark is an incredibly hardy diver comfortable in all conditions, great with scientists and a great guy to work with. I very much look forward to the next time we work together.’
Chris Kidd - Director, BBC Studios

‘Jago: A Life Underwater
It's brilliant.
It's beautiful.
It's absolutely enchanting.
Mesmerising.
It is so, so good.
Such a great idea, and so bravely realised, uncompromised, complete.
It's the best thing I’ve seen in ages. I was held spellbound throughout.  Mark's underwater cinematography was superb.’
Chris Packham, Presenter

‘Mark is the real deal. He was my underwater camera operator filming sperm whales in Dominica for a new presenter-led dive-adventure series on Animal Planet. The show demanded fast and responsive access and the team needed to be ready to drop in, in an instant. On shoots like this, preparation is everything - the success or failure of an entire shoot depends on anticipating and capturing fleeting moments. So, If you want jaw-dropping blue-chip underwater visuals, a huge understanding of how to capture life underwater, great knowledge of filming and maximising breath-taking two-shots and working with another diver, a great team member, who has all the tools: re-breather-trained, exceptional breath-hold free diver, scuba and fearless night diver who is also happy to muck in and shoot topside or drone for you - Mark is your man.’
Stephen Shearman, Series Producer

‘It was a pleasure working with Mark. From our early meetings he contributed so much to a shared creative vision. On location he was amazing and worked really hard to bring the story to life. He was great company and I am looking forward to our next adventure...’
Justin Anderson, Producer/Director

‘Mark is a pleasure to work with. He brought an optimal mix of technical excellence and visual flair, as well as a good attitude which goes a long way when you’re working closely in remote locations. In the run up to our complicated dive shoot he was a fount of knowledge and support that allowed us to safely execute and deliver a stunning blue chip natural history sequence. On location he’s a real collaborator - happy to take direction and deliver the shots that we needed, whilst also being great company. He flew a drone beautifully in tough conditions to boot! Mark is now a permanent name on my roster of trusted and talented DoPs’
James Shelton - Producer/Director

‘I started working with Mark back in 2003 on ‘The Really Wild Show’ and have done half a dozen series with him since. His enthusiasm and work ethic are complimented by a sharp eye for a shot. His excellence both underwater and topside, is helped by an ability to work in remote and challenging environments. Mark will always be one of my favourite cameramen to work with, and one of the people I utterly rely on.’
Steve Backshall, Presenter

‘Mark's underwater photography is truly excellent. Naturally it is stunning to look at, but crucially it tells a story. Something far too few underwater cinematographers achieve.  Mark also has the benefits of being a very proficient topside shooter. He's a pleasure to work with and I'll be using him again.’
Barny Revill, Series Producer/Director

‘I edited Mark's footage for the award-winning film Jago: A Life Underwater and it was a real treat. The most impressive thing about the rushes was Mark's instinct when action was happening. The choices he made were invariably spot-on and I had the privilege of being able to let some of the most beautiful underwater shots I've seen just run and run. His instinct and skill enabled us to end the film with an unbroken single take following a Bajau hunter descend to a reef and spear a fish - the shot lasts for about two minutes!  It perfectly highlights Mark’s innate knack for cinematic composition and his finely tuned reactions when the action kicks off. I look forward to getting my hands on some more of his rushes!’
Sam Rogers, Editor