Deadly 60 Series 6 with Steve Backshall

Award-winning adventurer Steve Backshall tracks down the world’s deadliest wildlife.

Mark’s work features on the following episodes:

Episode 2. Saving Sharks: Steve dives with 100 grey nurse sharks - aka ragged-tooth sharks - a wobbegong and a gigantic whale shark, and he joins a mission in Indonesia to save sharks from over-fishing with eco-tourism. 

Episode 3. Ocean Oddballs: Steve is underwater in Indonesia with funny-looking frogfish, a stargazer, flamboyant cuttlefish, a mimic octopus and a Bobbit worm. 

Episode 6. Jaguar Special: Steve is in Brazil searching for the world’s most elusive cat: the jaguar. He sees them swimming, meets mothers and cubs, and even witnesses one jaguar hunting a caiman. 

Episode 10. Snake Island: Steve heads to a place very few people ever go: Snake Island in Brazil, where the concentration of snakes is higher than anywhere else on earth. 

Interview with Six Senses Laamu, Maldives

This month Maldives Underwater Initiative (MUI) are thrilled to feature a special guest blog from acclaimed underwater cinematographer Mark Sharman, whose striking footage of the 2024 coral bleaching in Laamu Atoll has been featured in the new global documentary ‘Ocean’, narrated by Sir David Attenborough. Mark has visited Six Senses, Laamu several times, collaborating with the Maldives Underwater Initiative (MUI) to tell our team’s research stories, as well as to document marine life, including the challenging times for our coral reefs. In this Q&A, we explore Mark's perspective on filming vulnerable ecosystems, his connection to the Maldives, and the power of visual storytelling in marine conservation.

Mark, tell us a bit about yourself. What led you to become an underwater cinematographer?

I grew up loving watching wildlife documentaries narrated by David Attenborough and this transformed into an interest and love for filming and making videos and studying film and TV production at college and University. I was a competitive swimmer growing up too, so always loved being in the water and pushing my limits. The underwater world really captured my imagination in books and TV programmes, so scuba diving was the next step after swimming and I put all my interests together and went on a mission to turn my combination of interests into a career, and I haven’t looked back!

You've filmed all over the world—what makes Laamu Atoll special to you?

I’ve been lucky to forge a career in this field for the past 20 years, and it’s taken me all over the world, filming in some of the world’s best dive locations. The Laamu Atoll in the Maldives is special as it’s a place I’ve been able to enjoy with my family too, which has been a rare thing. I’ve been able to begin sharing what I love about the ocean with my two children and wife, whose first scuba dives were at Six Senses Laamu. I’ve been lucky enough to spend multiple trips diving on the reefs around Laamu, so I feel like I’ve got to know the area much more than other places I’ve visited.

Can you describe the moment you first witnessed coral bleaching in Laamu? What were you feeling as you filmed it?

My trip to Laamu in May 2024 was to base the trip around filming the bleached corals of the area. This was heartbreaking to witness first hand, these magnificent unspoiled reefs suffering in the latest El Niño event, which caused a wave of warm sea temperatures to come through, stressing the corals and ultimately ending many of their life. Only a few months prior to this, I’d seen and filmed these reefs in pristine condition, so it was shocking to see how quickly things can change. Luckily not all corals were affected by the bleaching event. I purposefully travelled to the worse hit areas, to show the worse of the impact and I am glad to hear from the team, that some of the reefs that I filmed are recovering.

Your footage has reached a global audience through Ocean. Why do you think it's important for people to see these changes?

There was a time in the industry, not too long ago, that environmental and human impact issues were generally avoided in wildlife documentaries. The commissioners didn’t think the audience would want to see ‘bad news’, and just want escapism. This attitude has now completely changed, and whilst animal behaviour and how it is filmed is still the main driving force, it is now common for the films to include human impact stories; to shock and inform. I think is important for these stories to be told as it is the elephant in the room, it could be argued that a lot more could have been done a lot sooner, but I’m glad audiences are being shown the beauty as well as the ugly side of our relationship with the natural world.

What was it like to know your footage would be part of a film narrated by Sir David Attenborough?

When I was in Laamu in May 2024, I reached out to a number of producers, letting them know I would be in the Maldives at the peak of the coral bleaching. Toby Nowlan, the producer of Ocean with David Attenborough let me know that tracking shots of reefs which had been heavily bleached would be useful in a montage he wanted to include in the film, to show just how widespread the damage was around the world. Although heartbreaking to see and film, I was pleased that it would be shown to a wide audience, and be included in this important film.

Have you seen a response or impact from people who watched Ocean and saw your footage?

Ocean with David Attenborough was one of those rare films which really makes it into the mainstream consciousness. You can tell a film has made an impact when newspapers’ front pages and editorials are dedicated to marine protection and fishing policy in the days following the launch of the film. The trawling in particular really sparked outrage and the release of the film coincided with a global conference on marine protection, so it seemed to really speak to politicians, policymakers and the public alike. On social media it was clear the stories from the film were being shared far and wide, and my posts about my small involvement were the most liked this year. It just goes to show the impact a film can have when it resonates and hopefully it can help adjust certain policies as part of its legacy.

What role do you think visual media plays in inspiring ocean conservation?

Visual media is hugely important in inspiring ocean conservation, it is now one of the main driving forces and goes hand in hand with the actual scientific field work. We live in a day an age where promoting the work of scientists and NGOs via social media is essential, and for the good or bad, a lot of young people get most of their information from social media, so it will no doubt help inspire a new generation of future conversations, hopefully before it is too late.

⁠What was your experience working with the MUI team on the ground?

⁠I spent a number of weeks in early 2024 filming with the MUI team at Six Senses Laamu. It was great to be able to use my skills and experience, both with topside, underwater and drone filming to help with the team’s messaging and publicity. It was an opportunity for guests to see this work in action, the MUI team does a lot to engage children and young people in marine science, so it felt good to be able to help bring these stories to an even wider audience outside of the resort.

How has your view of the ocean changed through years of filming and witnessing environmental shifts?

I did my first dives 25 years ago, and I first dived in the Maldives in 2014. It’s difficult to say how much change I’ve witnessed first hand, as my diving has been so widespread and not concentrated in one area. Unfortunately what I am seeing is much more frequent El Niño events, with less time between each one for the reefs to recover. It is a sad fact that if things continue the way they are going, coral reefs will be consigned to history, which we cannot let happen.

Is there a particular scene, species, or moment from Laamu that stayed with you?

Having spent 14 weeks across three different trips at Laamu in 2024, there were a lot of memories, a lot of which I’ve captured with my camera. The manta rays are probably the highlight for me, one of the closest dive sites to the resort is a manta cleaning station and I was lucky enough to see a number of rays coming through and being cleaned by cleaner wrasse fish, that was always incredibly special, seeing such beautiful and gentle giants moving so gracefully just metres away.

What advice would you give to aspiring filmmakers who want to use their skills to protect the planet?

My advice to aspiring filmmakers would be to start small and local and build from there. Most people have a smart phone to film and edit videos these days, with platforms ready and waiting to be published to. It couldn’t be more accessible to start making a difference. It’s hard to know where to start when there are so many concerns and big issues to tackle out there. But most of us live in a country which will have had its natural spaces and native wildlife depleted, so that’s as good a place as any to highlight and show what’s being done, and what can be done to give local biodiversity a boost.

What’s next for you—any upcoming projects or messages you'd like to share?

I’ve been lucky to be involved on a couple of shoots for the upcoming Blue Planet III series. My next will be towards the end of this year, and it will be another chance to show a wide audience what’s going on in the world. We will all be hoping Sir David will be narrating the series, and if so, he will have reached 100 by the time it broadcasts, a truly remarkable achievement, someone we have all been inspired by.

About ‘Ocean by David Attenborough’

Ocean is a powerful nature documentary that explores the beauty, complexity, and fragility of our planet’s marine ecosystems. Narrated by Sir David Attenborough, and produced with the support of the Blue Marine Foundation, the film combines breathtaking underwater cinematography with urgent storytelling to highlight the critical threats facing the ocean—from coral bleaching and plastic pollution to climate change and overfishing. Featuring locations around the globe, including footage by Mark Sharman filmed in Laamu Atoll in the Maldives, Ocean is both a visual masterpiece and a compelling call to action to protect our blue planet.

Mark’s powerful visuals remind us just how much is at stake beneath the waves—and how much beauty we still have left to protect. You can learn more about what our team at MUI are doing to help protect Laamu’s corals here . The team is happy to report that spawning events and coral propagation have already helped support new growth on Laamu’s reefs.

We were honoured to share Mark’s voice and vision as we continue working together to raise awareness, restore our reefs, and inspire action. Stay tuned for more guest blogs and behind-the-scenes stories from the people working to safeguard the Maldives' incredible marine ecosystems.

https://www.sixsenses.com/en/hotels-resorts/asia-the-pacific/maldives/laamu/

Reef Builders with voice of Moana, Auli’i Cravalho

Facing the loss of an entire ecosystem in a single generation, a team of coastal communities and marine biologists have proven the improbable by restoring a vibrant coral reef in Indonesia. Now, battling time, deep waters, harsh currents and accelerating climate change, can their efforts pay off on a global scale, before our coral reefs disappear for good, and humanity is left to pay the price?

'The Americas' BBC One

‘The Americas’ is the latest landmark blue chip Natural History series produced by BBC Studios - it premiered on NBC in the USA on Sunday 23rd February and will be broadcast this Sunday 2nd March on BBC One in the UK.  Narrated by Tom Hanks, music by Hans Zimmer and featuring a number of world firsts, this 11-part series (which was filmed over five years and 180 expeditions) is set to be spectacular.

Watch on BBC One this Sunday 2nd March at 18:45 or catch up via BBC iPlayer
Mark filmed an underwater sequence for the series, which will feature in episode one ‘The Atlantic Coast’

In the summer of 2022, Mark filmed sand tiger sharks congregating off the North Carolina coast, in the 'Atlantic Graveyard', named because of all the shipwrecks dotted up and down the coastline. These wrecks, many of which are sunken vessels from World War II, have created an artificial habitat, perfect for these sharks and their prey.  With unnerving toothy smiles, sand tiger sharks are actually one of the most common shark found in aquariums around the world.

Mark spent the shoot diving with his rEvo rebreather, allowing him to sidle up next to and get close with these gentle giants, allowing for some lovely close up shots and behaviour. Adverse weather conditions during the camera team's stay meant the first 12 days of the shoot were spent on land, as the winds were too high, and seas too rough to venture out.  With the resulting reduced schedule, Mark had just four days in which to capture this sequence, so every minute of every dive counted.

This incomparable project will employ revolutionary filmmaking technology that will showcase the wonders, secrets and fragilities of the Americas – Earth’s largest landmass and the only one to stretch between both poles – and reveal extraordinary, untold wildlife stories that deeply connect with millions around the world. ‘The Americas’ is executive produced by renowned Emmy and BAFTA Award-winning wildlife producer Mike Gunton (“Life,” “Planet Earth II,” and “Dynasties”) for BBC Studios Natural History Unit, the world’s largest production unit dedicated to wildlife filmmaking, in association with Universal Television Alternative Studio, a division of Universal Studio Group.
— BBC Media Centre

Production credits:
* Episode producer: Alex Griffiths
* Assistant Producer and shoot director: Chris Kidd
* Underwater DOP: Mark Sharman
* Rebreather buddy and underwater camera assistant: Toby Russell
* Scuba buddy: James Bell
* Topside assistant: Christopher Georgia
* Boat charter: Instigator Fishing & Diving Charters

The thumbnail photograph of a shark swimming through a shoal of fish is by photographer Tanya Griffen Houppermans, and provided an inspiration for the sequence. Tanya was Mark’s dive guide and buddy - showing him around the wrecks and sharks she knows well. 

'Secrets Of The Penguins' National Geographic

Three years in the making, 20 years after the Academy Award-winning March of the Penguins, ‘Secrets of the Penguins’ will tell a brand new, world-first story on the charismatic, plucky and sentient birds at the other end of the Earth. Using newly developed technology, world-class scientific research and unprecedented access, National Geographic will unlock the secrets of the species that make their home in surprising and challenging landscapes around the world.

More details to follow including Mark’s involvement in the series filming in Galapagos during May 2023.

Over three episodes, the series unlocks previously untold stories and revelatory behaviors from global penguin societies, quick to feel love, hate or fear. Antarctica’s strong, powerful but sensitive emperors battle to survive on the dangerous front line of climate change. The street-smart African and little blue penguins live in cities, deserts and beyond, relying on tenacious and “talkative” adolescents to forge new paths into the unknown. Powerful modern themes emerge among the macaronis and chinstraps of wild South Georgia, from strong female leadership to diversity, crime and extreme bravery. Their moving narratives will astonish and inspire, showing penguins to be more like us than we ever realized before.

In the Secrets series we try to forge an even more intimate and emotional connection with nature – to illuminate how these amazing creatures think, how they feel, how they communicate, how they function as complex societies and cultures
— James Cameron

'The Secret Lives of Animals' Apple TV+

“The Secret Lives of Animals,” was produced for Apple TV+ by BBC Studios Natural History Unit and is narrated by Hugh Bonneville. It highlights 77 unique species in 24 countries over three years, revealing stunning, never-before-seen animal behaviors and highlighting the remarkable intelligence of the natural world. Each episode delves into pivotal moments in the life cycles of various animals — from birth and leaving home to raising a family, and from finding food to growing old — showcasing their striking intelligence and adaptability.

Watch now on Apple TV+
Mark filmed an underwater sequence of blue-headed wrasse for the final episode of the series ‘Growing Old’

Mark spent 2 1/2 weeks filming on the coral reef a boat ride out from Key Largo, Florida in August 2023 to capture the hidden, or perhaps overlooked behaviour of the blue-headed wrasse. The resulting sequence is in the 10th and final episode of the series, ‘Growing Old’, which covers several ‘end-of-life’ stories of different animal subjects, including this one. The blue-headed wrasse’s life cycle includes changing sex from female to male, which we covered in this sequence.

I filmed on my RED DSMC2 Gemini camera in a Gates Pro Explore housing, as well as using the Vision Research Phantom Flex4K high speed camera, to capture the spawning elements at 300-400 frames per second, also in a Gates housing and I used my Nikon stills lenses for both systems.

Production credits:
* Episode producer: Matt Clements
* Assistant Producer and shoot director: Ellis Roberts
* Underwater DOP: Mark Sharman
* Rebreather buddy and underwater camera assistant: Toby Russell
* Researcher / Dive Supervisor: Summer Kiernan
* Marine Biologist John Godwin, expert in our subject; the bluehead, or blue-headed wrasse (Thalassoma bifasciatum).
* Dive Operations: Horizon Divers

Underwater Archive Library is LIVE

Mark’s Underwater Archive Library is now LIVE!

Please click here to view a selection of footage filmed in the Maldives across three trips during February, March and May 2024.

RAW 5K and 6K footage shot on RED Gemini and / or RED Komodo underwater is now available for licensing.

emily@sharmancam.co.uk +44(0)7876 694477 for details.

'Shark Beach: Gulf Coast' Disney+ and Nat Geo

Starring new Captain America actor, Anthony Mackie ‘Shark Beach: Gulf Coast’ takes the plunge to discover why one of nature’s most perfectly evolved predators are becoming a huge problem in his native Gulf of Mexico.

Born and raised fishing the waterways of New Orleans, Anthony Mackie explores the growing rumors that shark encounters may be on the rise in the Gulf of Mexico. With a team of shark experts Anthony sets off to explore the latest science that may help both humans and sharks coexist in the great state of Louisiana.

"The Falcon" and "The Winter Soldier" star helps kick off Nat Geo's "Sharkfest" with the new show 'Shark Beach with Anthony Mackie' click here to view more

Underwater Archive Library, Maldives (Part II)

Mark has just returned from Six Senses, Laamu Atoll out in the Maldives where he was capturing the coral bleaching event which is now sadly underway.

During his stay Mark filmed the following footage:

  • Bleached coral reef (fixed position lapse time shots to go alongside pre-bleaching shots captured in February + tracking shots of widespread bleached area)

  • Juvenile Picasso Triggerfish (sequence material)

  • Manta Rays

  • Octopus hunting (sequence material)

  • Turtles (Hawksbill and Green)

emily@sharmancam.co.uk +44(0)7876 694477 for details.

Click here to view the NOAA coral reef watch bleaching heat stress maps and alert levels in the Maldives.

Maldives bleaching alert levels issued 29 April 2024

The Maldives corals bleached in 1998 and 2016 and are bleaching again now.

'Our Changing Planet' BBC

One Planet. Seven Years. A story not yet written. The most visionary, ambitious, and technologically challenging undertaking that has ever been attempted. A colossal project documenting how the Earth’s most vulnerable habitats, and the animals living there, will evolve in the coming years. Returning with compelling, insightful, documentary films for the next seven years. We are at a pivotal moment in history, with time running out if we are to prevent the irreversible effects of climate change. Over seven years we will monitor iconic locations across the planet. These are the ‘canaries’ of our changing world. Each represents a unique change happening across the planet. Their fates hang in the balance, hinging on our ability to change our ways. Some locations are heavily protected, others will experience pioneering schemes to rebuild the habitats, others could be lost forever. There are winners and losers, positive changes, and reasons for hope. Calling on the NHU’s extensive global network of scientists, conservationists, and witness camera operators we’ll tell the story of each environment and its key animal species via the people that know and experience them most intensely and vividly. These stories have not concluded, there is still time, and we bring stories of hope and the amazing people helping fight these challenges. This is Changing Planet.

Listening in on the ocean's orchestra - view clip here
Steve Backshall joins Professor Steve Simpson in the Maldives. The Professor has devised a system that uses the sounds of the reef to help restore them.

Whilst on a dive, testing out Prof Steve Simpson's new reef sound recording equipment, Steve Backshall gets told off by a territorial clownfish - view clip here

Scientists’ experiment is ‘beacon of hope’ for coral reefs on brink of global collapse
Recordings of healthy fish are being transmitted to attract heat tolerant larvae back to degraded reefs in the Maldives

The struggle to save coral reefs as they face a 50% decline, bleaching events, and the hope of resilient survivors for long-term recovery - view clip here

An underwater experiment to restore coral reefs using a combination of “coral IVF” and recordings of fish noises could offer a “beacon of hope” to scientists who fear the fragile ecosystem is on the brink of collapse. The experiment – a global collaboration between two teams of scientists who developed their innovative coral-saving techniques independently – has the potential to significantly increase the likelihood that coral will repopulate degraded reefs, they claim. The first use of the combined techniques, to repair damaged atolls in the Maldives, will be shown on the BBC One TV series Our Changing Planet, co-presented by the naturalist Steve Backshall.Hailed as a potential “gamechanger”, the hope is that the technique could be replicated on a large scale to help preserve and revitalise dying reefs.

“All corals in all ocean basins in the world are under pressure,” said Prof Peter Harrison, a coral ecologist at Southern Cross University in Australia. Quite a large number have died in some reef areas. So we’re going to end up with big spaces of new real estate for coral larvae, but very few coral larvae being produced because so many adults have died.”

He has pioneered a form of “coral IVF” that involves capturing millions of spawn from “heat-tolerant” reproductive coral after it floats to the sea surface or, alternatively, surrounding coral that has withstood a bleaching event with a cone-shaped net.

“If you breed from heat-tolerant corals that can survive heat stress in the laboratory, the larvae of those corals also have higher heat tolerance than the larvae of other corals,” said Harrison. The gametes (reproductive cells) then merge together, fertilise and form coral larvae in floating “nursery” pools, which protect them from predators and prevent them from getting lost at sea. “If we don’t support the process of natural selection by focusing on the survivors, we’re going to lose everything.” This technique, Harrison added, can produce 100 times more coral colonies than would naturally occur on a reef with the same number of larvae: “And we’re working out ways to get it to about 1,000.”

To attract the larvae to settle on a degraded reef, the scientists are broadcasting recordings of fish noises that were captured near a busy, healthy reef. “We’ve done this and restocked degraded reefs with fish,” said Steve Simpson, professor of marine biology and global change at the University of Bristol.

“Working with Peter is the first time we’ve tried it with corals. It maximises the chance that the coral larvae being released find somewhere to live – somewhere that they will then restore the reef habitat.” Coral larvae, he has discovered, can detect sound according to the way the hairs on their bodies move, and so can be “tricked” into swimming towards – and settling on – a typically silent, unhealthy reef. “It’s like sowing a field that will become a forest again,” said Simpson. In the lab, the larvae were particularly attracted to the low-frequency grunts, croaks and rumbling sounds made by territorial fish, which can protect coral growing on the reef. “We have discovered that coral larvae hear their way home as babies, before they then choose where to live for up to 1,000 years.”

“They look very simple, and they don’t have ears or a brain, but coral were probably among the earliest animals cueing into their soundscape and dancing to the beat.” Time is running out for coral reefs across the planet.Scientists recently announced that the world is experiencing its fourth planet-wide coral bleaching event since 1998, with 54% of reef areas in the global oceans experiencing heat stress high enough to turn its colourful coral white. Australia’s Great Barrier Reef has suffered its worst bleaching on record, with about 73% of the 1,429-mile (2,300km) reef affected.

Backshall initially found the idea of using the soundscape of a busy reef to entice the tiny coral larvae to a denuded area “just bananas.”
“To see that happening – to take these gametes into the sea, play them the sounds of a healthy reef and see them actively start swimming towards it – it is probably as close to a eureka moment as I will ever have,” he said.

He fears, however, that if global temperatures rise by 2.5C or 3C, then “coral reefs are doomed”, regardless of these new techniques: “If we continue business as normal in terms of anthropogenic climate change, I don’t think it’s going to matter what we do. “Tropical reefs are right on the frontline. But if we can keep our levels of temperature increase across the planet down to 1.5C, then there’s a chance – and then these methods will absolutely be part of a positive future.” The world is “very gradually” waking up to the enormity of the global climate emergency, Harrison said. In the meantime, he and Simpson are “just trying to buy time for corals”.

If we can keep enough reefs alive through the next two or three bumpy decades to be able to recover, we’ve then got the reefs for the future, once the climate is under control. People say that coral reefs might be the first ecosystem we could lose, and I like to think that, therefore, they are the first ecosystem we can save. If they’re on the brink, and we can save coral reefs, we can save anything. And they become a beacon of hope
— Professor Steve Simpson

'Our Living World' Netflix

From the Emmy Award-winning team behind Our Great National Parks comes a revealing look at the secret network of connections that unites us all and sustains our planet’s most magical phenomenon: life itself. Narrated by Academy Award-winner Cate Blanchett, this docuseries spans the globe to showcase the extraordinary creatures and ecosystems, great and small, that work together to help restore and sustain Our Living World.

The underwater footage below was filmed by Mark and features in the third episode of Netflix's new wildlife documentary series "Our Living World". Cocos Island, a volcanic island in the eastern tropical Pacific about 500 km southwest of mainland Costa Rica is a known haven for endangered hammerhead sharks, but scientists still aren't sure how and why so many sharks navigate across swathes of ocean to convene there every year. Watch hammerhead sharks swim in 'cyclones' around ancient volcano below:

"We don't really know how these sharks are doing this," Ben Roy, the series producer of Our Living World, told Live Science. "We know that they've got sensors in their heads and we know that these sensors pick up on the magnetic signature of these cool volcanic rocks."

The island formed when lava erupted from an ancient underwater volcano and solidified, until it eventually rose 3,660 meters above the seabed.

The episode followed a young female hammerhead shark as she left her coastal nursery and travelled 300 miles across the Pacific Ocean to the volcanic oasis, where scientists think the sharks assemble to relax, socialize and find a mate. The female instinctively knew the way to Cocos Island thanks to electromagnetic signals emanating from hardened volcanic rocks on the island's slopes.

Underwater Archive Library, Maldives (Part I)

Mark and his family have just returned from eight weeks in the Maldives where they were hosted by Six Senses, Laamu Atoll

During his stay Mark filmed the following footage:

  • Coral reef (establishing shots, fixed position lapse time shots, spawning at full moon)

  • Uninhabited tropical island (aerials from drone)

  • Seagrass meadow (including juveniles inhabitants and aerials from drone)

  • Turtles (Hawksbill and Green)

  • Manta Rays (including ultra-sound scanning)

  • Sharks

  • Dolphins

  • Clark’s anemone fish colony

Please contact mark@sharmancam.co.uk and / or emily@sharmancam.co.uk for further details should you have any footage requests.

Mark was also filming for the The Maldives Underwater Initiative (MUI) a team made up of resort marine biologists and three partners, the Manta Trust, Blue Marine Foundation and the Olive Ridley Project. The MUI team pursues marine conservation goals, through research, guest education and community outreach, with the overarching aim of protecting Laamu’s natural resources.

The MUI team are based at the Sea Hub of Environmental Learning in Laamu (SHELL) which is a multi-use space, designed for education and immersive marine conservation experiences - in time, Mark’s footage will make up a set of short films which will document the MUI team’s latest projects.

'Earthsounds' Apple TV+

Earthsounds travels to spectacular habitats, including the Queensland rainforest, the Antarctic ice shelf, the Namibian dunes, tropical coral reefs and more. Discoveries and rarely heard recordings from the series include snow leopards singing love songs, the intimate chatter of ostrich chicks from inside their eggs, musical spiders, walrus’s underwater courtship calls and more. But it’s not just animals that make unusual noises; the series also captures the mesmerizing secret sounds of our planet, including the hum of deserts, drinking trees, and the mysterious buzz of the Northern Lights. Narrated by Tom Hiddleston.

Captured over an extraordinary span of 1,000 days across three and a half years, "Earthsounds" unveils our planet in an unprecedented light—a realm teeming with unexpected, unfamiliar, and previously untold sonic narratives that have eluded us until now. This groundbreaking series meticulously documents over 3,000 hours of audio, employing state-of-the-art technology to capture our world in entirely new dimensions.