Mark tells us more about his experience with the new Fujinon Lenses

Question: What shoot have you recently taken the Fujinon lenses on?

I’m just back from the Bahamas where I was working on a Shark Week shoot for Discovery. I was filming topside and drone from a boat for the duration, so camera and lens choice was key. My pair of E mount Fujinon lenses (MK18-55mm and MK50-135mm) were the natural choice together with my Sony FS7 as they are the perfect match especially for this type of job

Question: Tell us more about why the Fujinon lenses were a great fit for this shoot?

The production wanted to achieve a cinematic look and feel using a shallow depth of field throughout. So, shooting wide open at T2.9 I was able to achieve some very pleasing results with the actuality. We filmed a large portion of the footage into the night (under the boats minimal lighting) so, in this environment with these lenses I was still able to expose the contributors effectively

Question: What USPs specific to the Fujinon lenses do you find most impressive?

As well as ‘the look’ I wanted to achieve an additional consideration for the on-the-shoulder sync filming is the overall weight of the camera. So, with each lens weighing in at 0.9kg (which is incredibly light weight for such a lens) it makes for a much more comfortable set up; a hugely important factor when you’re working across the length and breadth of a boat for long hours, into the evening

Question: How did you utilise the full range of the two Fujinon lenses whilst on location?

The 18-55 is great for general sync shots and actuality; wide enough to get establishes and two shots and tight enough for pushing in for close ups and details. When it comes to shooting with another member of the camera team the 50-135 is perfect for close up reactions
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